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ART Of the BEAUTY And ARTISTIC CREATION

In general sense Arte it means with of artifices or procedures that they make to catch up a sure scope; cosi, as an example, the distinguished medical art from medical science, like practical application of the theory. In aesthetic sense and, from production, the art part the man of beautiful works.
The definition of the beautiful one in a generalized manner and the beautiful one of own art and of the Aesthetic one.
The Art and in the first place the rappresentazione of the outer truth of the things pertaining to the mineral world, vegetable, animal and human, trasfigurata in Beauty from the genius of the artist; but and also the rappresentazione of the inner truth that is found in the outer truth. 
When a communion between the artist and the spectator is settled down, it is perfect Art, why between the two sussiste one same way to see, to understand, to feel and to intuire the truth.
Stopping to us on the painting and the design, the artists can themselves be classified in three categories:
a) - Material artist or of the earth.
b) - spiritual Artist or of the sky.
c) - Artist of the means way between earth and sky.
From how much over saying, the Art and one of the human activities that provoked aesthetic emotion from the attention gushes from one on a particular one of the nature: aesthetic emotion that in the sudden start of its creative passion is translate in a pittorica or scultorea work using the resources of the technique, the fantasy and the thought, but get exaustedding itself in the capolavoro same.
The Art can have lived from anyone of it has the attitude.
And a connaturato need of productivity and imitation, moved from the love that the multishapes nature it produces on the impressionabile conscience of the artist.
The man has always contemplated with joy the sky, the sea, the mountains, the trees, the flowers, the animals.
The aesthetic and possessed sense is from the men primiti to you that from those progressed.
It survives to the same intelligence.
The aesthetic emotion made temporary passion is only get exaustedded when the successful operator and to giving to its same job all if, immedesimandosi with aesthetic joy to its work.
When the immedesimazione and total for defect of do not enable techniques or for lacked executive answer just the body, then the suffering can last months and years, until when it loads explosive it will be exausted in the capolavoro conclusive or it will remain buried in unconscious for sopravvenute new impressions and aesthetic emotions.
Manifest the aesthetic activity in the contemplation and the creation of the beauty; it and completely lose interested why in the joy, in the artistic enjoyment the nearly free conscience of if same and it is moved in an other being from which lets to absorb.
In the moment in which the artist it puts hand to the paint-brush and the colors of its tavolozza, its conscience experiences the amplesso with the nature that it observes outside of if and within of if and projects on the burlap.
But poichè this psycho-physical process happens in the primitivo man and the civil man, the savio and the crazy one, the saint and the atheist, with incalculable emotional infuence on who it sees the creation of these works of art and on who it produces to them.
(Tommaso Palamidessi)